Affordable Training you can depend on
This Adobe Photoshop CORE Concepts video tutorial utilizes an easy to follow training format that is both engaging and informative.
Created to assist the beginners to intermediate users, the author uses a unique training method
that brings a high degree of visual clarity to even the most complex applications. Being over
12.5 hours long these Adobe Photoshop CORE Concepts tutorials are extremely comprehensive and easy to follow. Video Training by Experts - Low Cost.
Not sure which Training CDs to buy?
The Online University
allows unlimited access to the entire range of training titles for one low fee of only $30 per month. There is no fixed term, no limits, and you can cancel at
any time. For corporate users and schools we also offer multi user accounts.
Find out more about the online video tutorials »
About the Free Video Online Training Course Demos
To allow you to evaluate the quality of the Core Concepts Adobe Photoshop training course we have made the first 3 chapters of this tutorial available for free viewing online, the purchased version of this training course contains all the topics listed below. The free demos below have been compressed for faster playback over the internet, the audio
and video quality of the purchased CD / DVD is far greater. To play the free demo videos you will need QuickTime,
Description
This Adobe Photoshop tutorial is aimed towards the user who already has a understanding of the basic Photoshop principles. The author starts the tutorial offer by giving a detailed introduction to gamma, resolution and color management settings, which are of paramount importance for the graphics / photographical professional. The purpose of this Photoshop tutorial is to build your existing knowledge and give you the tools to use Photoshop in a demanding commercial environment.
Topics covered include: Scanning, Line Art, Image Resample, Printer Color Calibrating, Color Rips, CMYK, Gray Scale, Color Range, Photoshop Filters, Masking and Channels, Tonal Range, Hue and Color Correction, Shadows and Highlights, Dust and Scratches, Photo Restoration, Photoshop Automaton. For a full listing see below.
Hide Description
The Blue Links below are free demos, when you purchase the video training CD / DVD the enitre content listings below are included , not just the free demo videos.
- Introduction
- Determining Monitor Resolution
- Observations
- When to Change Your Screen Resolution
- Resolution of On-screen Images
- Monitor Aspect Ratio
- Summary
- Introduction
- Setting the Screen Resolution
- Setting the Color Quality
- Setting the Refresh Rate
- Setting the Desktop Color
- Calibrating with Adobe Gamma - pt. 1
- Calibrating with Adobe Gamma - pt. 2
- Calibrating with Adobe Gamma - pt. 3
- Calibrating with Adobe Gamma - pt. 4
- Creating a More Accurate Monitor Profile
- Summary
- Color Management in Photoshop Elements
- Color Gamut
- Elements - Additional Options
- Color Management in Photoshop CS
- Color Management Policies
- Summary
- Introduction
- Scanning Resolution - The Magic Number
- How a Scanner Works
- Hardware Installation and Drivers
- What is TWAIN
- Determining Our Magic Number - pt. 1
- Determining Our Magic Number - pt. 2
- The Importance of Optical Resolution
- The 72 spi Scan
- Naming and Saving the Test Scans
- Comparing the 50 spi and 200 spi Scans
- Printing the Test Scans at High Quality
- Evaluating the Test Prints
- The Magic Number for Other Media
- The Magic Number for Commercial Printing
- The Magic Number for Web Graphics
- Image Restoration and The Magic Number
- Scanning Line Art
- Summary
- Introduction
- Viewing On-screen Images
- Resizing Images by Rescaling
- Resizing Images by Resampling
- Sharpening with the Unsharp Mask Filter
- Why 72 ppi is Irrelevant on the Screen
- Quick Summary of Rescaling - Resampling
- Using Both Rescaling and Resampling
- Image Resolution and Viewing Distance
- When not to Resample an Image
- Summary
- Introduction
- Calibrating a 4-Color Inkjet Printer
- Updating the HP1200 Printer Driver
- Obtaining a Printer Calibration Image
- Disabling Windows Color Management
- Disabling Automatic Driver Settings
- Examining the Calibration Test Image
- Making the First HP1200 Test Print
- Evaluating the First HP1200 Test Print
- Correcting the HP1200 Output Settings
- Calibrating a 6-Color Inkjet Printer
- Printers on My Computer
- Installing the Epson R340 Inkjet Printer
- Configuring the Epson R340 Printer
- Calibrating the R340 in Photoshop
- Making the First R340 Test Print
- Evaluating the First R340 Test Print
- Correcting the R340 Output Settings
- Evaluating the Second R340 Test Print
- Setting New Defaults for the R340
- Summary
- Introduction
- What to do with Your Perfect Print
- Scanning in Automatic Mode
- Evaluating the Automatic Result
- Correcting the Automatic Scan
- Switching the Scanner to Manual Mode
- Scanner Configuration Settings
- Scanning the Calibration Target
- Evaluating the First Manual Scan
- Adjusting at the Scanning Stage
- Evaluating the Manually Adjusted Scan
- Scanning with Image Color Management
- Evaluating the First ICM Scan
- Manually Adjusting the ICM Scan
- Evaluating the Manual ICM Scan
- Summary of our Test Scans
- Saving the Color Corrected Scans
- Which is Better - Color Controls or ICM
- Printing our Calibrated Scans
- Evaluating the Prints
- Scanning with No Color Correction
- Evaluating the No Color correction Scan
- Adjusting the Scanned Image
- Saving the No Color Controls Scan
- Saving Calibrated Settings
- Scanning with a Calibrated System
- Summary
- Introduction
- Gray Shades from Black and White Printers
- How Inkjet Printers Work
- How Laser Printers Work
- The RIP - Raster Image Processor
- How Halftone Spots are Created
- Halftone Spots from a 2400 dpi Printer
- 256 Shades from a 1200 dpi Laser Printer
- Scanning Resolution and Line Screen
- The Shape of Halftone Spots
- Halftone Screen Angles
- How Color Images are Converted to Printer Dots
- Analyzing CMYK Ink Contributions
- Taking a Closer Look
- Color Halftones and Screen Angles
- Summary
- My Philosophy on Terminology
- What’s Next
- Introduction
- Making Rectangular Selections
- Simple Circular Selections
- The Lasso Tool
- The Magnetic Lasso Tool
- The Polygon Lasso Tool
- The Magic Wand Tool
- The Magic Selection Brush
- Masking with the Magic Selection Brush
- The Color Range Command - pt. 1
- The Color Range Command - pt. 2
- Compositing into Another Image
- Masking Images in Photoshop CS
- The Extract Filter - pt. 1
- The Extract Filter - pt. 2
- The Extract Filter - pt. 3
- Compositing the Llama and Zebra - pt. 1
- Compositing the Llama and Zebra - pt. 2
- Extracting with Elements - pt. 1
- Extracting with Elements - pt. 2
- Summary
- Introduction
- The Straighten Tool
- The Crop Tool
- Correcting Color with Variations
- Resizing to Make a 4 x 6 Inch Print
- Adjusting the Canvas Size
- Making a Photo Quality Print
- Skewed Poster – A Case History
- Working with a Keystoned Image
- Using Ruler Guides
- Transforming a Selection with Distortion
- Cropping the Poster
- Resizing the Ad
- Sharpening with the Unsharp Mask Tool
- Summary
- Evaluating the Faded Photo
- Adjusting the Tonal Range using Levels
- Defining the True Shadow Areas
- Defining the True Highlights
- Combing - How to Compensate for Combing
- Using a Levels Adjustment Layer
- Adjusting the Midtones
- Restoring Details with a Layer Mask
- Summary
- Evaluating the Digital Photo
- Using the Red Eye Removal Tool
- Using a Levels Adjustment Layer
- Using a Hue-Saturation Adjustment Layer
- Creating a 4x6 Inch Photo Quality Print
- Summary
- Examining a Difficult Image
- Failure to Adjust with Levels
- Multiply Blend Mode to Darken Highlights
- Screen Blend Mode to Brighten Shadows
- Adjusting Shadows Using a Layer Mask
- Toggling the Layer Mask Off and On
- Viewing the Mask in the Image Window
- Rubylith Overlay Inside the Layer Mask
- Adjusting Highlights Using a Layer Mask
- Reactivating Unmasked Areas
- Adjusting the Hue in Unmasked Areas
- Straightening the Horizon
- Cropping to a Preselected Size
- Summary
- Scanning at Very High Resolutions
- Comparing a 200 spi to a 600 spi Scan
- Mechanics of the Clone Stamp Tool
- Mechanics of the Healing Brush Tool
- Using the Spot Healing Brush
- Fixing Tears with the Healing Brush Tool
- When to Favor the Clone Stamp Tool
- When to Favor the Healing Brush Tool
- Techniques for Professional Retouching
- Summary
- Introduction
- Assessing the Flawed Image
- Impracticality of the Clone Stamp Tool
- The Dust and Scratches Filter
- Adjusting Radius and Threshold
- Removing Scratches and Larger Flaws
- Cropping with a Fixed Size Marquee
- Making a Photo Quality 4 x 6 Inch Print
- Saving the Retouched Image
- Assessing the First Flawed Portrait
- Working Non-Destructively with Layers
- Sample All Layers with Cloning
- The Lighten Blend Mode with Cloning
- Reducing Corrections with Opacity
- Sample All Layers and Healing Brush
- Saving the Perfected Portrait
- Assessing the Second Flawed Portrait
- Correcting the Color balance
- The Merit of Auto Color Correction
- Making Teeth Whiter
- Removing Skin Blemishes
- Saving the Retouched Portrait
- Comparing Before and After
- Summary
- Introduction
- Saving Images in the JPG Format
- Examining the Color Profile
- Cropping Out Unnecessary Image Areas
- Resizing the Image for the Web Page
- Sharpening the Resized Image
- Saving Images with Save for Web
- Image Optimization with JPG
- Determining Download Times for Images
- Color Profiles in Optimized Images
- Web Images and Computer Environments
- Resizing Images in Save for Web
- Previewing Optimized Images
- Saving the Optimized File
- Review - Saving Photos for the Web
- Optimizing Artwork Images - pt. 1
- Optimizing Artwork Images - pt. 2
- Examining Browser Dither
- Previewing the GIF Image
- Saving the Optimized GIF Image
- Images on Colored Web Pages
- Images on Textured Web Pages
- Creating a GIF Image with Transparency
- Viewing the Transparent GIF in Explorer
- Color Fringes in Transparent GIFs
- Evaluating a Matted GIF Image
- Eliminating the Color Fringe
- Optimizing Gradients
- Summary
- Introduction
- The Actions Palette
- Disabling Color Management Policies
- Default Actions - pt. 1
- Default Actions - pt. 2
- Creating an Action from Scratch
- Applying an Action as a Batch Job
- Converting PowerPoint Presentations - pt. 1
- Converting PowerPoint Presentations - pt. 2
- Applying Our Action as a Batch Job
- Preparing Photos for Tribute Videos
- Preparing Images for Digital Video - pt. 1
- Preparing Images for Digital Video - pt. 2
- Preparing the Horizontal Images - pt. 1
- Preparing the Horizontal Images - pt. 2
- Batch Process - Contact Sheets
- Batch Process - Web Sites - pt. 1
- Batch Process - Web Sites - pt. 2
- Additional Batch Operations
- Automation in Photoshop Elements
- Summary
- Introduction
- Starting Photoshop with its Default Settings
- Configuring Photoshop's Color Settings
- Advanced Mode Color Settings
- Configuring the CMYK Working Space
- Saving Custom CMYK Settings
- Accessing Color Settings
- Configuring the Scratch Disks
- Preparing the Image - Open the File
- Soft Proofing - Gamut Warning
- Correcting with Adjustment Layers
- Additional Proofing Options
- Review - RGB to CMYK Preparation
- Converting from RGB to CMYK
- Saving the CMYK File
- Summary
» Studio quality audio and video
» Works on Pc or Mac
» Ideal for people that learn quicker by being shown
» Master complex application in days
- Master Core Concepts Adobe Photoshop in the shortest time possible
- Self paced tutorial, training on video, at your own pace
- Just sit back and watch, no books to read, just easy to follow
lessons
- Training can be viewed from any location, on PC or Mac
- All training is self-contained; you don’t even need the
application you are learning loaded on your machine
- The most affordable way to learn, benefit from a world-leading
expert
- High quality content for a fraction of the cost of a classroom
training course
- The Tutorials can be rewound, fast forwarded or stopped at any time
- Learn from the comfort of your own desk.
I just want to say that I'm really impressed by the quality of service I received when I ordered from you recently. Everyone I spoke with was very helpful, even though I only ordered a couple of training CDs. ...I've been thoroughly 'converted' and I'll be sure to pass along your web site address to my friends.
Thanks
- Tony Martin
Michigan

Apex Web Media ( Hyperteach )
P.O Box 398 Bolton BL7 9YS, United Kingdom.
Tel: +44 (0) 1204 592071
Fax: +44 (0) 1204 592092
Email:

Apex Web Media ( Hyperteach )
600 17th Street, Suite 2800, Denver CO 80202
Tel: Toll free 1866 402 1903 (USA) / 434-878-4158
Fax: 1 207 433 4356
Email: